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2 Both types are equally deserving of our interest, but the latter group is especially important because the warrior statues are not a shared product of East Asia but rather, a sculptural group unique to the royal tombs of the Silla dynasty. Markedly different from the former, the second group known as muinsang (武人像) is made up of warrior statues that feature roughly modeled faces and hold a club in their hands. The first group called mugwansang (武官像) includes statues of military officials that have a crown upon their heads, armor worn over a uniform and a long sword held with both hands. Of these, the most notable are the stone statues placed at the entrance to the royal tombs that can be categorized into two broad types. 1 These sculptures include stone statues and lion sculptures as well as carved reliefs of the twelve zodiac animal deities typically found on the stone surrounding the burial mound. However, from an art historical perspective it is the sculptures found at these sites rather than the tombs' impressive size that is of particular interest. These burial mounds are well-known for the large scale on which they were built. In the city of modern-day Kyŏngju one can find numerous royal tombs dating back to the Silla dynasty. However, the differences between the statues of each respective culture also signify that the Silla dynasty implemented its own aesthetic and eventually developed its own style though the production of such sculpture remained extremely restricted. Furthermore, the observed parallels between the Sŏngdŏk statues of military officials and their Tang dynasty equivalents suggest that the Korean tradition of funerary stone sculpture can trace its beginning to Chinese influence. The motivation prompting the production of these stone statues was dominantly political in nature but could be attributed to several reasons that were specific to each ruler's circumstances. Rather, these stone statues were later additions commissioned by the successors of the buried individuals. From a combined examination of historical records, contemporary stonework and contextual considerations, it can be concluded that the stone statues of the royal tombs were not produced simultaneously with the construction of the burial site as is generally believed. The statues of military officials in the Silla dynasty are distinguishable by a number of characteristics such as the presence of armor, hidden hands and the presence of a sword. However, only the first type can be found at the Sŏngdŏk burial site. The first includes statues of military officials called mugwansang (武官像) while the second group is made up of statues of warriors called muinsang (武人像). The stone statues can be categorized into two types. Stone statues created for royal funerary sites first appear in the Unified Silla period (668–935) at the royal tomb of King Sŏngdŏk and symbolize the beginning of a funerary sculptural tradition that would later develop, albeit in a limited manner, into a uniquely Silla aesthetic.